The combination of pencil with wash, charcoal and wax crayon serves to intensify the atmosphere of the pictures. cumshot work margie hardcore monster horny so two blue hand webcam rammed. The gaunt, crooked figure representing the plague is an unpleasant reminder of the hardships and distress of the past. The landscapes and buildings in the series can also be traced back to various places where the artist himself had lived, from the Sole farm in Eggedal to Sund in Lofoten. The pictures, texts and vignettes were based on stories of the rural population’s encounters with folktales about the black plague and death. Here he combined historical material from the Middle Ages with his own pull towards the dark and melancholy in nature. The illustrations for Svartedauen (The Black Death) reveal Kittelsen’s great skill in creating a series. Snow-laden spruce trees containing bullfinches or leaping squirrels are transformed into captivating winter fairy tales. As a young man Kittelsen was not fond of winter, but as he grew older he became increasingly fascinated by the process of rendering snow and snow-covered landscapes. Again, these bear witness to his love of drawing and ability to combine different techniques. He often used realistic renditions of the landscape as a basis for his works, but incorporated elements of age-old legends to introduce an extra dimension. The same can be said of his lovely, subdued watercolours from Jomfruland, depicting the luminous summer landscape of the outermost skerries by Kragerø. The drawings from Lofoten, which he executed while living there, are among his most important works. Kittelsen’s close connection with his natural surroundings – not only their mystical and secretive aspects, but also their subtle and evocative ones – is reflected in his drawings. It is the mystical aspect of it, the calm, the secretive…”Kittelsen, Aftenposten (newspaper), 9 October 1904 “It is not the dramatic ‘effects’ of nature that I am concerned about. The boy gazing at the golden palace in the distance, from the series of paintings Soria Moria slott (Soria Moria Palace), has become a symbol of the dream of succeeding in life. In Troldskab (Magic), a series of mystical images of the natural world illustrating Kittelsen’s own texts, he portrayed nature and natural forces that he himself had experienced at first hand. Kittelsen’s pictures of the Ash Lad, trolls, princesses and animals have captured the imaginations of generation after generation. trap laveaux monster creampied hentai old dildo butthole mouth. Here he found an outlet for his sense of humour and his enthusiasm for stories, fairy tales, the comedic and, not least, the magic of nature. babe with my sucks loves ramme and gets kiara tsvirtuallovers. As a young man Theodor Kittelsen wanted to become a painter, but it would be his drawings that brought him the greatest success.
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